Hunting Additional Pixels in Digitally Amplified Art: Looking for Clues in Music, with Inspiration from Mathematics

Year: 2004 Authors: Mark Nelson

Core claim

Digital amplification should be treated as a philosophical and aesthetic act, not merely an engineering process, because controlled distortion can be central to the finished artwork.

Topics

digital image amplification, music analogies, aesthetic distortion, interpolation, fractalization

Domains

interpolation, fractals, numerical computation, geometry, error analysis, digital art, visual amplification, installation art

Methods

typology building, comparative analysis, image filtering, digital processing, artistic synthesis

Media

ink on Bristol board, digital images, filtered black and white images, installation-scale prints

Source status

This page publishes metadata and extracted analytical signals only. Raw PDF and full OCR text are kept local for now.