2004

51 analyzed Bridges papers.

• A Generalized Vertex Truncation Scheme to Construct Intriguing Polyhedral Shapes — Ergun Akleman; Paul Edmundson; Ozan Ozener
• A Salamander Sculpture Barn Raising — George W. Hart
• A Search in Progress: Polyhedra from Intersecting Cylinders — Joseph D. Clinton
• An Introduction to The Randsome — Richard Fischbeck; Oscar Tuazon
• An Introduction to the Tiling Properties of the Tangram and Their Application in Two and Three Dimensions — Stanley Spencer
• Anatomy of a Bud — Jay Kappraff
• Applications for the Study of Tilings — Chris K. Palmer; Slavik Jablan; Reza Sarhangi
• Asymmetric Rhythms, Tiling Canons, and Burnside’s Lemma — Rachel W. Hall; Paul Klingsberg
• Cognitive Models of Music and Painting — James Peterson; Linda Dzuris
• Combining Abstract Images using Texture Transfer — Gary R. Greenfield
• El Compás Flamenco: A Phylogenetic Analysis — J. Miguel Díaz-Báñez; Giovanna Farigu; Francisco Gómez; David Rappaport; Godfried T. Toussaint
• Experiential Morphology: The Generative Dynamics of Form and Structure, Part II* — Manuel A. Báez
• Exploring Hyperobjects: A Metaphor of Higher Dimensions — Michael Mahan
• Expressive Geometries of Curvature — Brent Collins
• Folding the Circle as Both Whole and Part — Bradford Hansen-Smith
• Fractal Art – A Comparison of Styles — Janet Parke
• Fractal Patterns and Pseudo-tilings Based on Spirals — Robert W. Fathauer
• Fractal Tessellations from Proofs of the Pythagorean Theorem — L. Kerry Mitchell
• Fractalled: The Interstitial Spaces And Frank Gehry — Amy Gilley
• From Hot Spots to High School Geometry and Calculus — Tiziana Giorgi; Robert Smits
• Glide Reflection and other Combined Transformations — Rinus Roelofs
• Hamiltonian Cycles on Symmetrical Graphs — Carlo H. Séquin
• Hunting Additional Pixels in Digitally Amplified Art: Looking for Clues in Music, with Inspiration from Mathematics — Mark Nelson
• Inspired by Snowflakes: Constructing, Folding and Cutting Regular Paper Polygons to Create Art with Dihedral Symmetry — Gwen L. Fisher; Nicole Silkton
• Intersecting Cylinders and the Jitterbug — Joseph D. Clinton
• Islamic Art at Doris Duke’s Shangri La: Playing with Form and Pattern — Carol Bier; David K. Masunaga
• Mathematical Magic — Arthur T. Benjamin
• Measuring the Musical Vocabulary of the Traditional Nzakara Harpists — Barbra Gregory
• Modular Origami in the Mathematics Classroom — Brock Wenciker; Patrick Flynn
• Modularity in Medieval Persian Mosaics: Textual, Empirical, Analytical, and Theoretical Considerations — Reza Sarhangi; Slavik Jablan; Radmila Sazdanovic
• Moorish Fretwork — Paul Tucker
• MultiCam: A System for Interactive Rendering of Abstract Digital Images — Jeffrey Smith; Ergun Akleman; Richard Davison; John Keyser
• On the Topology of Celtic Knot Designs — Gwen Fisher; Blake Mellor
• Permuting Heaven and Earth: Painted Expressions of Burnside’s Theorem — James Mai; Daylene Zielinski
• Pulling Ropes and Plumbing Lines: Geometry for the Neolithic Engineer — Stephen Luecking
• Splinters from the Keyboard Artistic Work and the Experience of Production — Anna Ursyn
• Star Polygon Designs of La Alhambra’s Wooden Ceilings — B. Lynn Bodner
• Stephen Eberhart Memorial Quilt – A Proposal — Mary Candace Williams
• Supercircles: Expanding Buckminster Fuller’s Foldable Circle Models — Chris Fearnley; Jeannie Moberly
• Symmetry to Assembly — Mary Candace Williams
• The Ghostly Imagery of Strange Attractors — Robert J. Krawczyk
• The Influence of Incipit Length on the Results of Statistical and Information-Theoretical Melody Analysis — Nico Schüler
• The Mathematics Of Jazz — W. Douglas Maurer
• The Place of Pilgrimage — Benjamin Wells
• The Reflected Binary Gray Code Transform — Steve Whealton
• The Shape and History of The Ellipse in Washington, D.C. — Clark Kimberling
• The Triumph of the One — Benjamin Wells
• Tony Bomford’s Hyperbolic Hooked Rugs — Douglas Dunham
• Turning a Snowball Inside Out: Mathematical Visualization at the 12-foot Scale — Alex Kozlowski; Dan Schwalbe; Carlo H. Séquin; John M. Sullivan; Stan Wagon
• Twisted Domes — Paul Gailiunas
• Using a Fractal Program to Model Vortical Flows — L. Kerry Mitchell; Janet Parke