The Qualitative and Quantitative World of Robert Wilson’s Theater

Year: 2010 Authors: Julie Rogers Varland

Core claim

Wilson’s theater unites quantitative stage systems with qualitative perception, making space-time-movement relationships legible through choreography, lighting, and audience reflection.

Topics

space-time-movement, qualitative and quantitative design, proscenium stage, theatrical choreography

Domains

geometry, measurement, space-time relations, coordinates, theater, architecture, stage design, choreography

Methods

conceptual analysis, comparative design reading, theoretical reflection

Media

proscenium stage, lighting cues, actor movement, silence

Source status

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