2010

102 analyzed Bridges papers.

• 30 Cubes on a Rhombic Triacontahedron — Sándor Kabai
• A Fractal Celtic Key Pattern? — Paul Gailiunas
• A General Procedure for the Construction of Mirror Anamorphoses — Francesco De Comité
• A Workshop in Geometric Constructions of Mosaic Designs — Reza Sarhangi
• About Weaving and Helical Holes — Rinus Roelofs
• Ad Quadratum Ad Infinitum — Eliana Manuel Pinho
• Aesthetic and Mathematical Research: A Comparison with two Examples — Tim Boykett
• Alhambra’s Nazari Single Tile Patterns Guided Tour — Jesús Hernando
• Amateur and Pioneer: Simon Stevin (ca. 1548–1620) about Music Theory — János Malina
• An Origami Puzzle of Intersecting Cubes — Zsolt Lengvarszky
• Anamorphic, Kaleidoscopic and Sculptural Mirror Reflections — Kenneth Brecher
• Art with a Double Meaning — István Orosz
• Artformer Geometry — Antal Kelle
• Beautiful Homework: The Artists’ Critique Group in the Mathematics Classroom — Daylene Zielinski
• Biblical Cantillations — Russell Jay Hendel
• Borromean Rings & Three Fold Knots — Louise Mabbs
• Bourgoin’s 14-Pointed Star Polygon Designs — B. Lynn Bodner
• Branching Miter Joints: Principles and Artwork — Tom Verhoeff; Koos Verhoeff
• Brunnian Weavings — Douglas G. Burkholder
• Chaos, Noise, Randomness and Coincidence as Constitutional for Generative Art — Mike Kostner; Franz Schubert; Carola-Bibiane Schönlieb
• Classification and Comparison of Different Folk Music Traditions Using Self Learning Algorithms — Zoltán Juhász
• Compositional Constraints of Simultaneous Color Contrast: Toward a Classification of Types — James Mai
• Constructing Molecules with Beads: The Geometry of Topologically Nontrivial Fullerenes — Bih-Yaw Jin; Chern Chuang; Chia-Chin Tsoo
• Constructing Sierpinski Triangle with Rings — Mehrdad Garousi; Hamid Reza Dezfoolian
• Creating and Modifying Images Using Newton’s Method for Solving Equations — Stanley Spencer
• Creating Cartoon Images with Functions: A Pedagogical Project — M. G. Marques; M. Pires
• Creative Learning with Giant Triangles — Simon Morgan; Jacqueline Sack; Eva Knoll
• Curve Evolution Schemes for Parquet Deformations — Craig S. Kaplan
• Cyclic Symmetric Multi-Scale Turing Patterns — Jonathan McCabe
• Cylinder Anamorphosis of Impossible Structures — Jan W. Marcus
• Design by Subdivision — Michael Hansmeyer
• Early Modern Art Layouts in Breuer’s Design — Devrim IŞIKKAYA
• Escher-type Tessellations and Pull-up Polyhedra: Creative Learning for the Classroom — E.B. Meenan; B.G. Thomas
• Eureka and Serendipity: The Rudolf von Laban Icosahedron and Buckminster Fuller’s Jitterbug — Caspar Schwabe
• Everything is Number – Mathematics Meets Arts — Carsten Miller
• Expanding the Mandelbrot Set into Higher Dimensions — Javier Barrallo
• Exploring Symmetry in Elementary Schools — Andreia Hall; Rosa Amélia Martins; Carlota Simões
• Expressions, Assemblages and Grammars — Penousal Machado
• From the Angle of Quasicrystals — Jean-Marc Castera
• Gauss, Bolyai, Lobachevsky – in General Education? — István Lénárt
• Geometric Tools for the Magic Woodcarver — Bjarne Jespersen
• Geometrical Representations of North Indian Thāts and Rāgs — Chirashree Bhattacharya; Rachel Wells Hall
• Hyperbolic Vasarely Patterns — Douglas Dunham
• Imaginary Cubes — Objects with Three Square Projection Images — — Hideki Tsuiki
• Impossible Ornaments — F. Farkas Tamás
• Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures — Christopher Carlson
• Intertransformability — John A. Hiigli
• Ivory Polyhedra Turned on a Lathe — Tibor Tarnai
• Locally and Globally Regular Toroids with Less than 16 Hexagonal Faces — Lajos Szilassi
• Mandel-Bach Journey: A Marriage of Musical and Visual Fractals — Harlan J. Brothers
• Mathematical Balloon Twisting for Education — Vi Hart
• Mathematical Interpretation of Graphic and Poster Design in Iran — Nahid Tootoonchi
• Mathematical Models for Argentine Tango — Carla Farsi
• Matière of Painting Analyzed by Wavelet Transform — Toshihiro Bando; Masamichi Kobayashi; Yuri Sakurai
• Minimal Flowers — John M. Sullivan
• Mirrors and Spheres: The Geometry within the “Tall Tree and the Eye” — Chiara Tuffanelli
• Models of Locally Regular Heptagonal Dodecahedra — David I. McCooey
• Models of Surfaces and Abstract Art in the Early 20th Century — Angela Vierling-Claassen
• Moiré II — Koert Feenstra
• Multisculpture or Polymorphic Sculpture : A Different Approach to Sculpture to Challenge and Nurture Reflection : Both in the Sculptor and in the Viewer — Jacques Beck
• My Search for Symmetrical Embeddings of Regular Maps — Carlo H. Séquin
• On Generating Dot Paintings in the Style of Howard Arkley — Gary R. Greenfield
• On Growth, Form and Yin-Yang — Michael Longuet-Higgins
• On Torsion Free Subgroups of p32 and Related Colored Tilings — Ma. Louise Antonette N. De Las Peñas; Eden Delight B. Provido; René P. Felix
• Oscillatory Solutions for Sine-Gordon Equation — Ion Bica
• Parabolic Connections Linking History, Art, Acoustics, and Mathematics — Gail Kaplan
• Patterns from Archimedean Tilings Using Generalized Truchet Tiles Decorated with Simple Bézier Curves — David A. Reimann
• Perspective with Six Vanishing Points — Daniel Lörincz; Brigitta Szilágyi; Ágnes Urbin
• Playing with the Möbius Band — Eleonóra Stettner
• Poetry Inspired by Mathematics — Sarah Glaz
• POLY-UNIVERSE – Knowledge Produce Toy Family — János Szász SAXON
• Programming for Artists with Processing — Zsófia Ruttkay
• Projection of Point Sets to a Lower Dimension with Applications in the Arts — György Darvas
• Quantum Sculpture: Art Inspired by the Deeper Nature of Reality — Julian Voss-Andreae
• Regular Polyhedral Lattices of Genus 2: 11 Platonic Equivalents? — Dirk Huylebrouck
• Review of a Cinema Film from the Perspective of Symmetry: “The Pillow Book” — Ferhan Kızıltepe
• Revisiting Mat Board Models for A Physical Proof of Five and Only Five Regular Solids or Polyhedron — Robert McDermott
• Ribbon Edges: a New Impulse for Geometric Sculpture — Charles Gunn
• Seeing with the Mind: from the Matrix into the Cloud — Pedro Campos; Ana Isabel Portugal
• Some Possibilities of Russian Combinatorial Literature — Tatiana Bonch-Osmolovskaya
• Some Three-dimensional Self-similar Knots — Robert W. Fathauer
• Specialties of Models of the 6-dimensional Cube — László Vörös
• Sphaerica: Interactive Spherical Geometry Software — János Erdős
• Strip Symmetry Groups of African Sona Designs — Darrah Chavey
• Swhirling Squares: A Simple Math Flip-Book Animation — Douglas McKenna
• The K5 Graph Turned into a Golden Pyramid — Samuel Verbiese
• The Qualitative and Quantitative World of Robert Wilson’s Theater — Julie Rogers Varland
• The Sunflower Spiral and the Fibonacci Metric — Henry Segerman
• The System Approach and Design — Ernő Rubik
• The Visualization of Flow — Joel Varland
• The Vitruvian Figure of Eight — Joel C. Langer
• Tile Color Matching Using Simple Universal Cycles — Anna Virágvölgyi
• Tiled Torus Quilt with changing tiles — Elaine Krajenke Ellison; John Sharp
• Toward a Tesseract Theater — Nicholas Abruzzo
• Types of Repetition and Multistable Perception in the Frieze Patterns on the Marble Pavement of the Cathedral of Siena — Yang Liu; Godfried Toussaint
• Use of Pseudo Functions in Digital Creation — Philippe Bootz
• Using Mathematics in Art — Michael Field
• Using Roller Coasters to Bridge Mathematics, Science and the Arts — Janka Szilágyi; Jill Zarazinski
• Vasarely’s Work– Invitation to Mathematical and Combinatorial Visual Games — Ljiljana Radovic; Slavik Jablan
• Viruses and Crystals: Science Meets Design — B.G. Thomas
• Visual and Logical Beauty in Mathematics — László Lovász
• Workshop on Mathematics and Dance — Karl Schaffer; Erik Stern