painting

Appears in 66 extracted records.

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Representative papers

• Architecture and Mathematics: Art, Music and Science (1998)
• Bridges of Mathematics, Art, and Physics (1998)
• On Visual Mathematics in Art (2000)
• The Influence and Use of Music and Mathematics in My Art (2001)
• Some Common Themes in Visual Mathematical Art (2001)
• Developing A Validation Principle In Art (2001)
• Gridfield Geometry (2002)
• Spatial Constructs (2002)
• A Museum Dedicated to the Concept of Harmony and the Golden Section (2002)
• Dynamical Systems: A Golden Gate from Auditory Physiology to Musical Aesthetics? (2003)
• Goldbach Tilings (2003)
• My Use of Number Sequence and Geometry in Art (2003)
• Permuting Heaven and Earth: Painted Expressions of Burnside’s Theorem (2004)
• Alice Boner and the Geometry of Temple Cave Art of India (2005)
• Beauty in Art and Mathematics: A Common Neural Substrate or the Limits of Language? (2005)
• Fairfield Porter’s Secret Geometry (2005)
• Concerning the Geometrical in Art (2006)
• Constellations of Form: New Compositional Elements Related to Polyominoes (2006)
• The Math of Art: Exploring connections between math and color theory (2006)
• Tiled Artworks Based on the Goldbach Conjecture (2006)
• Painting by the Numbers: A Porter Postscript (2007)
• Shiva: Two Views of Burnside’s Lemma at Work (2007)
• The Modular Color Palette: Systems of Color Selection in the Paintings of James Mai (2007)
• Painting the Total Picture (2008)
• Porter’s Golden Section, Experimentally (2008)
• Systematic Approaches To Color Interaction: Limited Palettes For Simultaneous Contrast Effects (2008)
• Ternary Codes in Psychology, Culture, and Art: Information Roots (2008)
• Finding a New Route to the Moon using Paintings (2009)
• The Frustrated Mathematician: A Call to Artists (2009)
• Chaos, Complexity, and Creativity (2009)
• Everything is Number – Mathematics Meets Arts (2010)
• Matière of Painting Analyzed by Wavelet Transform (2010)
• Compositional Constraints of Simultaneous Color Contrast: Toward a Classification of Types (2010)
• Phi Divisions of the Square: A Categorization of Composition Strategies (2011)
• Painting in Geometric Key (2011)
• The Magical Power of Our Eye: A Student Centered Approach to Building Bridges between Mathematics and Art (2011)
• Guernica (2012)
• Knots as Processes in Art and Mathematics (2012)
• Harmonic Perspective (2012)
• Developing Mathematical Tools to Investigate Art (2012)
• Territories of Color: Towards a New Model of Simultaneous Color Contrast (2013)
• The Moore-Penrose Inverse in Art (2013)
• Uncertainty of Structure, Quantity and Space as our Reality (2013)
• Up Suprematism to the “supreMADIsm” on Saxon’s Paintings (2013)
• Homages to Geraldo de Barros (2014)
• Juan Gris’ Color Symmetries (2014)
• Salvador Dalí and the Fourth Dimension (2014)
• The Meta-golden Ratio Chi (2014)
• Nature as a Strategy for Pattern Formation in Art (2015)
• Permutations of the Octagon: An Aesthetic-Mathematical Dialectic (2015)
• The Golden Ratio and the Diagonal of the Square (2016)
• The “Dual Nature” of the Point (2016)
• Juan Sánchez Cotán: Seeing Mathematically (2018)
• Observations on Concave Perspective (2018)
• The Marvellous Bridging of Maths and Art Education and its Relation to Cognitive and Emotional Development (2018)
• The Foundations of Mathematics and Art: Form, Logic, Intuition (2019)
• A Journey into the Genesis of Related Math-Art Works (2020)
• Combinatorics of Simultaneous Color Contrast (2020)
• Organizing Children and Youth Mathematical Art Exhibits and Interpreting MathArt-works through a Collaborative, Transdisciplinary Practice (2020)
• Sgraffito Meets Posterization (2020)
• Vector Fields and Paul Klee – A Summer School Course for Gifted High-School Students (2020)
• Doubling the Cube—Revisited (2021)
• Ygrography, Creating Artworks by means of Hele-Shaw’s Fluxes (2021)
• Synthesizing Mathematics, Art, and Synesthesia (2022)
• [[papers/2024/bridges2024-479|$n$ -Flake Variations]] (2024)
• Hans Hinterreiter’s Flowing Fields (2024)