2001
55 analyzed Bridges papers.
- A Mathematical Look at the 7 Liberal Arts as “Humanities” — Stephen Eberhart
- A Polyhedral Byway — Paul Gailiunas
- A Review of the Snake Robotic Research — Farshad Barazandeh; Behnam Bahr
- An Interactive Creation of Polyhedra Stellations with Various Symmetries — Vladimir Bulatov
- Antisymmetry and Modularity in Ornamental Art — Ljiljana Radovic; Slavik Jablan
- BETTER BY THE DOZEN — C. Hugh Snyder
- Blending Polyhedra with Overlays — Douglas Zongker; George W. Hart
- Come un meccanismo di precisione: The Third Movement of Ligeti’s Second String Quartet — Diane Luchese
- Composing Different Tessellation from the Same Elements — Imameddin Amiraslanov
- Constructing a Piano: A Key is Provided by Leonhard Euler — Robert L. Bailey
- Creating Prelude Music Using Number Patterns — Cheryl Whitelaw
- Curving Spirolaterals — Robert J. Krawczyk
- Developing A Validation Principle In Art — Clifford Singer
- Each Moment a Culmination: The Poetry of Gar Bethel — Daniel F. Daniel
- Finding Fibonacci: An Interdisciplinary Liberal Arts Course Based on Mathematical Patterns — Margie Ribble
- Flatland, Curved Space: How M. C. Escher Illustrated the History of Geometry — Steven Gimbel
- Fountain of Creation – Design vs. Meta-Design — Carlo H. Séquin
- Fractals and Multi-Layer Coloring Algorithms — Javier Barrallo; Santiago Sanchez
- Functional Image Synthesis — Conal Elliott
- GeomeTreks: A Mathematical Art Odyssey — Ivars Peterson
- Geometries of Curvature and their Aesthetics — Brent Collins
- Growth: An Architectural Study In Wall Design — Lara Pascali; Yuko Watai
- Humor and Music in the Mathematics Classroom — J. G. Eberhart
- Hyperbolic Islamic Patterns — A Beginning — Douglas Dunham
- Is It All About Triangles? — Mara Alagic
- Knots and Multiple Möbius Band Minimal Surfaces — Nat Friedman
- Making Sense of “Tensegrities” — Roger S. Tobie
- Mathematical Poetry — Kaz Maslanka
- Mathematics and the Liberal Arts Curriculum — Daniel F. Daniel
- Mirror Curves — Slavik Jablan
- Molecular Sculptures — Edgar Meyer; W. John Tollett, Jr.
- Musical Acoustics and Continued Fractions — Richard Krantz; Jack Douthett
- On the Construction of Colored Plane Crystallographic Patterns — Ma. Louise Antonette N. De Las Peñas
- Polygons and Chaos — Jay Kappraff; Gary W. Adamson
- Polyhedra Plus — Rochelle Newman
- Quilted Symmetry — Daniel F. Daniel; Slavik Jablan; Deb Schmidt
- RECONSTRUCTION OF ORNAMENTS — Ljiljana Radovic
- Rhyming Reason: The Incorporation of Mathematics into Nursery Rhymes — Tara M. Dunphy
- Some Common Themes in Visual Mathematical Art — Robert W. Fathauer
- Sona Sand Drawings and Permutation Groups — Mark D. Schlatter
- Spectral Light as Sculptured Space — Irene Rousseau
- Study and Application of African Designs for Use in Secondary Education — Anileen Gray; Reza Sarhangi
- Symmetries of Culture — Donald W. Crowe
- Symmetrohedra: Polyhedra from Symmetric Placement of Regular Polygons — Craig S. Kaplan; George W. Hart
- Teaching a Course on Polyhedra — Vincent J. Matsko
- The 3D Illusion of 2D Regular Tessellations — Imameddin Amiraslanov
- The Alphabet Versus The Goddess: The Conflict Between Word and Image — Leonard Shlain
- The Complexity and Difficulty of a Maze — Michael Scott McClendon
- The Influence and Use of Music and Mathematics in My Art — Douglas D. Peden
- The Linear Diophantine Equation in Music Theory — Jack Douthett; Richard Krantz
- THE POETRY OF INFINITY — Lorna B. Hanes
- The Use of Ratios in the Player Piano Studies of Conlon Nancarrow — Julie Scrivener
- TimeSculptureConstructing Social Geometries A Mapping for a National Installation — John Sims
- Weaving beyond Fibonacci — Mary C. Williams
- Zometool Geometry Workshop — George W. Hart