2011

126 analyzed Bridges papers.

• “Without Emotion, There Is Nothing Left But Burden”: Teaching Mathematics through Heathcote’s Improvisational Drama — Susan Gerofsky
• 20 Seconds into the Future: Narrative Space for Maths Motivations — Tim Boykett; Tina Auer; Andreas Mayrhofer
• A Brief Review of Frank O. Gehry and the Nationale-Nederlande Building — Ferhan Kiziltepe
• A Formal Approach for High-Level Automatic Rhythm Generation — George Sioros; Carlos Guedes
• [[papers/2011/bridges2011-563|A Group Theory Approach to (re)Constructing Sol LeWitt’s Drawing Series IV, #413]] — Charlene Morrow; James Morrow
• A Mad Weave Tetrahedron — Paul Gailiunas
• A Method for Expandable Regular Tessellation — Aylin GAZI; Koray KORKMAZ
• A Method for Music Symbols Extraction based on Musical Rules — Ana Rebelo; Filipe Paszkiewicz; Carlos Guedes; Andre R. S. Marcal; Jaime S. Cardoso
• A New Kind of Three-Dimensional Anamorphosis — Francesco De Comité
• A Nine- and Twelve-Pointed Star Polygon Design of the Tashkent Scrolls — B. Lynn Bodner
• A Portrait of a Quadrilateral Group — Jay Zimmerman
• A Representation for Whole Numbers and Their Factors — Ana Lúcia Braz Dias
• A Virtual Installation of Sierpinski Triangle — Mehrdad Garousi; Hamed Akbari
• A Workshop on Stellation Inspired Sculpture — Eve Torrence
• Abacaba! – Using a mathematical pattern to connect art, music, poetry and literature — Mike Naylor
• Abstract — William F. Duffy
• Abstract Overlays using a Transport Network Model — Gary R. Greenfield
• Adventure of a Simple Circle (in the jungle of my mind) — Evangelina Sousa
• African Basketry: Interweaving Art and Mathematics in Mozambique — Paulus Gerdes
• Alabaster Sculpture Workshops — Nicholas Durnan
• Algorithmic Fluid Imagery — Mark J. Stock
• Amazing Labyrinths, Further Developments II — Samuel Verbiese
• An Exploration of Froebel’s Gift Number 14 leads to Monolinear, Re-entrant, Dichromic Mono-Polyomino Weavings — Eva Knoll; Wendy Landry
• Animation of Object-Oriented Program Execution — Peter Boothe; Sandro Badame
• Arc Forms: Interactive Exploration of a Discrete Combinatorial Design Space — Christopher Carlson
• Art in Shadows of the Six-dimensional Cube — László Vörös
• At What Level Do Mathematical References Act In Contemporary Architecture? — M. Paula Serra de Oliveira; Francesco Marconi
• Bending Hyperbolic Kaleidoscopes — Vladimir Bulatov
• Bridging Theater and Mathematics: a Mathematician’s View — Alexei Kolesnikov
• Bridging Theater and Mathematics: a Playwright’s View — David M. White
• Build Something Beautiful and Interesting with Giant Triangles: An Entry to Deep Mathematics — Simon Morgan; Jacqueline Sack
• Calculating and Singing the Melody Sequences in Fauré’s Song “Les Matelots” — Miriam Fradera Gajo
• Conformal Tiling on a Torus — John M. Sullivan
• Conjecture and Proof: A Case of Shifting Identities in Raphael’s School of Athens — Katherine Smith Abbott; Stephen Abbott
• Creating Two and Three Dimensional Fractals from the Nets of the Platonic Solids — Stanley Spencer
• Creative Circle Design — Susan McBurney
• Cubic Fuzzy Precision: Tau-scaled Fractals from Plain-vanilla Pentagrids — James F. Hausman; Fabien Vienne
• Decalcomania — Mary Wahr
• Decorating Regular Tiles with Arcs — David A. Reimann
• Design Thinking LAB: Math Goes Fashion — Konrad Cernohous; Dominik Gross; Petra Ilias; Walter Lunzer; Ruth Mateus-Berr; Jasmin Schaitl; Peter Michael Schultes
• Designing Sculptures Inspired by Symmetric High-Genus Fullerenes with Mathematical Beading — Chern Chuang; Bih-Yaw Jin; Chia-Chin Tsoo
• Egyptian Architecture, Posadas’ Metaphor for Composition — José L. Besada Portas
• Exploring the Arts with Mathematica — Christopher Carlson
• Flying Patterns — Jean-Marc Castera
• Folding Your Way to Understanding — Nick Fout; Jenn Marker
• Formal Literary Constraints in the Works of Boris Grinberg — Tatiana Bonch-Osmolovskaya
• Fractal Aesthetics in Geometrical Art Forms — Vincenzo Iorfida; Marcella Giulia Lorenzi; Mauro Francaviglia
• From Chain-link Fence to Space-Spanning Mathematical Structures — Tom Verhoeff; Koos Verhoeff
• From Lissajous to Pas de Deux to Tattoo: The Graphic Life of a Beautiful Loop — Douglas McKenna
• Futurism, Geometry of “Photodynamism” and Digital Photography — Marcella Giulia Lorenzi; Mauro Francaviglia; Rick Doble
• Genetic Weapons — Filipe Afonso
• Geometric Forms that Persist in Art and Architecture — Elisa Conversano; Mauro Francaviglia; Marcella Giulia Lorenzi; Laura Tedeschini Lalli
• Geometric Structures and Forms as Visual Art Compositions — Daniela Velichová
• Geometry as a Source of Inspiration in Contemporary Art — Marcella Giulia Lorenzi; Mauro Francaviglia
• Good Stamps for Wallpaper Patterns — Manuel Arala Chaves
• Graphic Illustration of Elementary Particles — György Darvas; Tamás F. Farkas
• How Can Mathematics Help in Identifying a Music Style — Mária Kuková
• How Not to Bring Your Product to Market — Michael Stranahan; Carlos Neumann; Paul Hildebrandt
• Human Geometry Workshop — Mike Naylor; Vi Hart
• Hyperbolic Truchet Tilings — Douglas Dunham
• Image Generation from Magic Squares — You Fang; Yao Ming; Wang Jianmin
• Image Processing with Mathematica 8 — Bruce Torrence
• Inside and Outside the Rhombic Hexecontahedron — Sándor Kabai
• Introduction to Ideal Quilts — Andrzej K. Brodzik
• Just Twist, About Minimal Origami Models Based on Polyhedra Structure — Krystyna Burczyk; Wojciech Burczyk
• Kepler’s Mysterium Cosmographicum: A Bridge Between Art and Astronomy? — Kenneth Brecher
• Malbec, Ornament and Rustication — Gabriel Esquivel
• Mandelbrot Sound Map - A Tool for Mapping Fractals into Sounds — Boris Kerkez
• Mathematical Furniture — Peter Meijer
• Mathematical Hints for Parameter Selection for AA Patterns — Abdalla G. M. Ahmed
• Mathematical Modeling of Cartoon Images and Other Objects — M. G. Marques; M. Pires
• Operation Comics: The Story Continues — Bruce Kessler; Janet Tassell; Tressa Tullis
• Opt Art: Special Cases — Robert Bosch
• Painting in Geometric Key — Liviu Stoicoviciu; Gheorghe Samoilă; Marcella Giulia Lorenzi; Mauro Francaviglia
• Pavimenta: A Photo Tiling Tool — António Salgueiro
• Performing Mathematical Magic — Fernando Blasco
• Phi Divisions of the Square: A Categorization of Composition Strategies — James Mai
• Photographic Fractal Trees — Robert W. Fathauer
• Pieces of Pi? Polyhedra, Orthoschemes and Dihedral Kaleidoscopes — Curtis Palmer
• Pitch-Space Lattices: Tonnetze and other Transpositional Networks — José Oliveira Martins
• Playing with Surfaces: Spheres, Monkey Pants, and Zippergons — Kelly Delp; Bill Thurston
• Polyhedral Knots and Links — Slavik Jablan; Ljiljana Radović; Radmila Sazdanović
• Proposal for a Workshop on Symmetry of Plane Patterns — Manuel Arala Chaves
• Resilient Knots and Links as Form-Finding Structures — Dmitri Kozlov
• Rigge Envelopes As Art Inspiration — John Sharp
• Sentinels Sculptures Inspired by the Native Americans’ Culture — Jim R. Paulsen; Reza Sarhangi
• Smooth Self-Similar Curves — Craig S. Kaplan
• Soccer Balls — Dirk Huylebrouck
• Spulenkorb : Utilize Weaving Methods in Architectural Design — Qing Xing; Ryan Collier; Gabriel Esquivel; Michael Tomaso; Ergun Akleman
• Story Telling with a Mathematical Flavor — Andreia Hall
• Sudoku art — Tiffany C. Inglis; Craig S. Kaplan
• Sundials from Toroid Surfaces — Stephen Luecking
• Symmetric Stick Puzzles — George W. Hart
• Symmetry Orbits: When Artists and Mathematicians Disagree — Darrah Chavey
• Symmetry, Marks and Meaning: Observations from Brand Identity Design — J.L. Marsden; B.G. Thomas
• System of Visual Organization in Graphic Design — Nahid Tootoonchi
• Taking Sides, But Who’s Counting? The Decagonal Tomb Tower at Maragha — Carol Bier
• The Art of Complex Flow Diagrams — Anne Burns
• The Art of Manual Stone Carving as a Leap to Its Virtual Future — Jacques Beck
• The Conformal Vega Disk — Joel C. Langer
• The Dynamics of Grid Square Dances — Rachel Wells Hall; Amy Ksir; Bob Isaacs; Rick Mohr
• The Eyes Have It — Chris Bartlett
• The Geometry of Organic Architecture: The Works of Eduardo Torroja, Felix Candela and Miguel Fisac — Javier Barrallo; Santiago Sánchez-Beitia
• The Geometry of Paradise Flowers — Sarah Abdellahi; Tom Goris
• The Idea of Time, Motion and Dynamism in Art — Daniela Rinaudo; Marcella Giulia Lorenzi; Mauro Francaviglia
• The Magical Power of Our Eye: A Student Centered Approach to Building Bridges between Mathematics and Art — Gail Kaplan; Chris Bartlett
• The partial implantation, at 1:2 scale, of Rabaçal’s Roman Villa — João Pedro Xavier; Eliana Manuel Pinho
• The Poetry of Prime Numbers — Sarah Glaz
• The Roman Villa in Rabaçal and Álvaro Siza — João Pedro Xavier; Eliana Manuel Pinho
• The Sacred Cut — Jay Kappraff
• The SpHidron Conjecture — Daniel Erdély
• The Vasarely Playhouse: Look and Combine! — Slavik Jablan; Kristóf Fenyvesi
• Three Approaches to Regular Linked Structures — Bjarne Jespersen
• Through and Around instead of Over and Under. Another Way of Weaving. — Rinus Roelofs
• Tori Story — Carlo H. Séquin
• Transformative Modular Textile Design — E.S. Hur; B.G. Thomas
• Transition of Matière feature of Claude Monet’s Paintings Analyzed by Wavelet Transform and Co-occurrence matrix — Toshihiro Bando; Kenichiro Nishida; Yasunari Sasaki
• Triangle Tessellation Workshop — Aaltje Berendina Aaten; Tom Goris
• Unusual Tilings and Transformations — Jouko Koskinen
• Using Mathematics to Make Poetry — JoAnne Growney
• Using the golden ratio in multimedia installations – Seeking for beauty — Ana Isabel Portugal; Pedro Campos
• Using Triangle Parts to Create a Paper Quilt — Elaine Krajenke Ellison
• Virtual Environment Kit for Visual Arts — Jiří Chmelík; Jiří Sochor
• Visual Representations of Biblical Poetic Parallelism — Russell Jay Hendel
• Warping Pictures Nicely — David Swart
• Workshop Design Thinking Lab: Math Goes Fashion — Konrad Cernohous; Dominik Gross; Petra Ilias; Walter Lunzer; Ruth Mateus-Berr; Jasmin Schaitl; Peter Michael Schultes